I attended an evening of Sufi Sindhi music organized by The Kabir Project – the evening was a wonderful experience to say the least.
My interest in Latif had been piqued due to the detailed mention he got in The Empires of the Indus, with his risalos being quite popular and a big celebration in Bhitai on the day of his urs. He is quite obviously one of the most famous icons of Sindhi culture. More about the Shah:
Shah Abdul Latif Bhitai (1689-1752) is one of the greatest Sufi poets along with Rumi (1207-1273) and Mir Dard (1721-1785), but relatively speaking lesser known. His poetry draws on the power and beauty of Vedanta and Islam melding the two philosophies into one poetic and spiritual vision. His major work is the “Shah Jo Risalo” and his poems thrive today as a vibrant oral tradition being widely sung, quoted and loved by both Hindu and Muslim communities in the Sindh region on both sides of the Indo-Pak border. He takes the popular love legends of the region and speaks through the voices of different woman protagonists. Sometimes he is Sasui, sometimes Moomal, sometimes Sohini and sometimes Marui… and through their journeys of seeking the Truth he expresses his own. His poetry creates a tantalizing dance of expressions between the sensual yearnings for the earthly Beloved and the deeply meditative yearnings for the transcendent Beloved.
What made the event outstanding was the organization – the music was completed by a sampling of Sindhi cuisine, including their samosas, tosha, daal and halwa. There had souvenirs available in the form of t-shirts and books. The artwork and the presentation playing in the background was absolutely fascinating. Shabnam Virmani, as the emcee weaved a number of stories and kep the audience enthralled. even the sign boards to the venue said, “Seeking the Beloved? … This way”.
Just putting down a few couplets that I really liked
some burden of sorrow
I carry a full load
sellers of sorrow
most have left
do not decipher whispers
tune into the inner ear
The only comment would be that the second part (Waee music) was probably not very mellifluous and for popular consumption. While the authenticity of the experience is very important, the organizers should have kept public taste in mind.